Finally, if streaming in stereo is not a requirement for you, a Y-cable is unnecessary. I think that Logic Pro X would also work, though it probably is more difficult to use for live mixing. If you don't want to use MainStage, I'm sure there are other programs that could be used, such as LoudLAB SoundDesk. If you have a more powerful computer than I do, you may be able to run OBS and MainStage together and simply output MainStage to BlackHole and then set BlackHole as an audio input source in OBS. On the second computer, I set the input in OBS to take the incoming audio from the 1/8" jack, and it worked perfectly.ĭepending on what equipment you have access to and what your audio needs are, there are many variations on my setup that you could try. Then, I set the audio output as the UMC1820 and used a 1/4" TS to 1/8" TRS Y-cable to route the signal into a second computer running OBS, because the computers I have access to were not powerful enough to run both OBS and MainStage simultaneously. So here was my solution, though it takes some extra equipment.įirst, I used MainStage to process the signals from all eight channels on the UMC1820. My guess is that the OBS program is not built to handle more than two input channels from an audio interface. TouchOSC (from ) is a simple and customisable OSC controller, which means you can customise the layouts (included) and upload them into your device of choice with the TouchOSC Editor.I had the same problem, except with a Behringer UMC1820. SoundDesk can also be controlled by a device with TouchOSC installed and connected to the same Wi-Fi network. The CC mode includes a simple MIDI mapping system designed to ease communications between your devices and SoundDesk. SoundDesk can communicate with the Mackie Control Protocol, HUI MIDI Mapping Protocol and standard CC devices. The master channel can be recorded in real-time and saved as: AIFF, WAVE, FLAC, CAF, Sound Designer II, NeXT/Sun, MPEG-4, Apple Lossless or AAC files. SoundDesk 3 includes a stereo 3 or 2-Way Linear Phase Crossover, a "Analogue Warmth" option (tube like overdrive and tape like saturation) and a spectrograph at the master channel. Goniometers and PPM meters on all channels. The user can assign names and colours to individual channels. Up to 48x2 input paths (48 stereo channels), 54x2 output paths and 12 Aux sends per channel (pre- or post-fader).Įach channel is equipped with a DC blocker, a noise or wave generator and a delay unit. Making the routing possibilities of SoundDesk only limited by your hardware.Ĭhannels can be either mono, stereo or auxiliary receivers, and you can switch between options at any time. SoundDesk has up to 12 Audio Units inserts on every channel and up to 4 on the master section, so you can use your favourite plug-ins.įurthermore, each channel displays the delay introduced by the plug-ins, and lets the user correct the unwanted time shift.Īll channels can receive any real input and send to any real output, master section or auxiliary. Create a SoundCloud account DEMO (low quality) Instrumental track of Tye Tribbett's latest single 'Same God'. SoundDesk by LoudLAB, can be used by audio professionals to mix on the fly, by musicians to record a rehearsal, and anything else that involves mixing or routing digital audio. SoundDesk is the easiest way to turn your Mac into a professional mixing desk!
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